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Kathryn Markel Fine Arts | 20th Street
529 W 20th St New York
+1 212 366 5368
Tuesday - Friday: 10 am - 6 pm, Saturday: 11 am - 6 pm
Jill Moser "Talking Pictures: Collaborations"
Feb 21 - Mar 28 2026 - 32 days left
Kathryn Markel Fine Arts is thrilled to present Jill Moser’s Talking Pictures: Collaborations, an exhibition of 40 of Moser’s painted collages that form the basis of her new book project. For Talking Pictures: Collaborations, Moser asked friends and colleagues to create a dialogue with one of her painted collages. Poets, artists, journalists, critics, curators, art historians, novelists, psychoanalysts accepted the invitation, forming a chorus that plays along the border of the visual and the verbal. This exhibition presents the painted collages alongside each contributor’s response. An audio recording of their texts accompanies the show. With a forward by Elena Karina Byrne, the chorus includes: Tiffany Bell, Ágnes Berecz, Star Black, Charles Bernstein, Jon Bowermaster, Barbara Bloemink, Giuliana Bruno, Jesse Browner, Lee Eiferman, Corinne Erni, Aniko Erdosi, Stephen Frailey, Laurence Hegarty, Christopher French, Mary Heilmann, David Humphrey, Didi Jackson, Major Jackson, Susan Lewis, David Lichtenstein, Mary Lucier, Tim Maul, Alison Mitchell, Milos Zahradka Maiorana, Jennifer McGregor, Sarah Greenberg Morse, Paul Muldoon, Eric Pankey, Anne Plettener, Nancy Princenthal, Manya Steinkoler, Laurie Sheck, Adam Simon, Chase Twichell, Terrie Sultan, Eliza Walton, Stephen Westfall, Lilly Wei, Karen Wilkin, Lila Zemborain. Moser began painting these small, intense collages at the start of the pandemic and now, five years later, they have become the atlas of images for all her work. In these painted collages, gestural line, the hallmark of Moser’s work for decades, generates forms and volumetric spaces saturated in vivid and often startling color. Talking Pictures reflects Moser’s long-standing interest in the interplay of language and image. a language of drawing, painting, and printmaking that resists figuration to celebrate visual narratives.Selections of her earlier collaborative work with poets will be on view in the Pocket Gallery. Jill Moser's paintings, drawings, prints, and artist's books have been exhibited in galleries and museums throughout the United States and featured in prominent collections, including The Metropolitan Museum of Art, The Museum of Modern Art, The Museum of Fine Arts Houston, The National Gallery of Art, The Yale University Art Gallery, The Fogg Art Gallery and The National Library of France. Moser has made numerous print editions and series, most recently with Bleu Acier, Jungle Press, Manneken Press and Oehme Graphics. She continues to work collaboratively on projects with poets, artists, designers, and architects. She has taught at Princeton University, Virginia Commonwealth University, SUNY and The School of Visual Arts. Jill Moser lives and works in New York.
Erick Johnson: Continuum
Feb 26 - Apr 04 2026
Kathryn Markel Fine Arts is pleased to announce an upcoming exhibition of new paintings by Erick Johnson titled Continuum. This is his third solo exhibition with the gallery. A reception for the artist will be held on February 26th from 6-8pm. Johnson’s abstract paintings explore the synergy between color and form. Irregular shapes stack and slide together, building walls of reverberating color. The elements touch occasionally, but most are separated by narrow white passages that create the illusion of forms suspended in space. Johnson uses handmade tools to pull paint across the surface in layered passes. Small interruptions in the lines remain as evidence of the process. Opaque and translucent bands of color play against each other, creating rhythm and movement. Fluctuating stripes build vibrant, shifting polygons, while fuzzy edges bleed into the surrounding white. Some settle into place like masonry; others teeter on their neighbors. The compositions feel active rather than fixed. The shapes become worlds of their own, grazing one another and pressing against the picture’s edge. They are both grounded and moving - structured geometry animated by color. To Johnson the shapes “often straddle the line between object and opening, construction and evolution.”