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JoAnne Artman Gallery
511 A West 22nd Street, New York, NY 10011
949-510-5481
Tuesday - Saturday: 10 am - 6 pm
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REVERIE: Featuring AUDRA WEASER
Apr 11-May 31 2019 - 10 days left
REVERIE: Featuring AUDRA WEASER SPRING 2019 Artist Reception: Thursday, April 11th, 2019 from 6pm-8pm Please RSVP: 949.510.5481 by April 1st, 2019 ?JoAnne Artman Gallery?511A West 22nd St. | New York, NY 10011?Contact:  JoAnne Artman?Telephone:  949-510-5481 | E-mail: joanneartman@aol.com ?Website: www.joanneartmangallery.com REVERIE Reverie is defined as a daydream, or the condition of being lost in thought. The origins of the word can be traced back to rever, which in Old French translates to the state of delirium, or of being delirious. The term is an apt one to describe both the visual qualities of Audra Weaser’s dream-like abstracted landscapes, as well as the dreamy state of meditation they conjure. JoAnne Artman Gallery is pleased to present the artist’s recent body of work in which Weaser continues her meditative study of cognition, memory, light, and the natural landscape. Utilizing a minimalist color palette, Weaser’s process-based paintings are excavations of memories shaped by time. Working tirelessly, Weaser has to put down layers of color quickly before the quick-drying paint becomes permanently fixed on the panels. In this way she builds up fluid layers intuitively placing large swathes of color while working the entirety of the surface. Layers of paint are collaged into seamless undulations pierced by lighter areas, reminiscent of dappled sunlight. It is these spots of brightness that the artist then excavates, exposing the base panel while re-connecting the layers of paint on top back into the whole of the image. Using a sander, Weaser takes away areas of color, cutting through to the bottom of the composition in organic movements that echo the direction of her brushstrokes, revealing the final composition. For Weaser, these dreamscapes come from a particular childhood memory, re-imagined and recreated through the artist’s process as an adult. According to the artist, “I was looking at these home videos my father took, they’re in
“BEGIN AGAIN” FEATURING BROOKE SHADEN
Jun 13-Aug 31 2019 - 102 days left
JoAnne Artman Gallery, Presents: “BEGIN AGAIN” FEATURING BROOKE SHADEN June 13-August 31, 2019 JoAnne Artman Gallery 511A West 22nd St. | New York, NY 10011 Contact:  JoAnne Artman Telephone:  949-510-5481 | E-mail: joanneartman@aol.com Website: www.joanneartmangallery.com BEGIN AGAIN Imaginative, versatile, and a master of concept, Brooke Shaden is a fine art photographer specializing in staged photography that combines allegorical symbolism with personal narrative. Utilizing props as well as commonplace objects, Shaden transforms the world around her into compelling, intricate dreamscapes that combine the strange with the familiar. JoAnne Artman Gallery is pleased to present an exhibition of recent work by the artist at the gallery’s NYC location, focusing on a new body of work that explores notions of permanence, survival, as well as the classic theme of man versus nature. In her new series, Shaden portrays a dystopian future, emphasizing the improbable odds of humankind in the face of the vastness of nature. Yet despite some of the darker elements, the tone of Shaden’s new body of work maintains a sense of optimism and a playful lightness. Aptly titled, Begin Again depicts a rebirth of self. Alluding to a reimagined future, reevaluated preconceptions, and a reinvention of the artistic process, Shaden thoroughly explores the idea of renewal. Culminating in an expressive awakening, her photographs embody an alternate reality of surrealism and fantasy where the disturbing is made beautiful. Shaden’s definition of her medium is both candid and pragmatic. According to her, “fine art is simply defined as personal work, something you do for yourself.” This directness is evident in her approach, and enables her to fully immerse herself in her practice, creating stunningly surreal, compelling images rooted in personal investigation. Shaden’s surrealism is based in reality and filtered through personal experience. Tonally and thematically, the work
LINEAGE: Featuring MATT DEVINE, ANTHONY HUNTER, ADRIANA OLIVER
Nov 14-Dec 31 2019 - 224 days left
JoAnne Artman Gallery, Presents: LINEAGE: Featuring MATT DEVINE, ANTHONY HUNTER, ADRIANA OLIVER WINTER 2019 Artists’ Reception: Thursday, November 14th, 2019 from 6pm-8pm Please RSVP: 949.510.5481 by November 8th, 2019 JoAnne Artman Gallery 511A West 22nd Street | New York, NY 10011 Contact: JoAnne Artman Telephone: 949-510-5481 | E-mail: joanneartman@aol.com Website: www.joanneartmangallery.com LINEAGE JoAnne Artman Gallery is pleased to present, LINEAGE, an exhibition that focuses attention on the intersection of decorative and functional elements of contour and linear stylization. Addressing the fundamental component of the line within artistic composition, LINEAGE explores the possibilities of perspective, volume, and interaction of planes. Suggesting the line as both a fluid material and conceptual device, these artists highlight their ability to create works that uniquely define the space around them. Using divergent forms of display, artists Matt Devine, Anthony Hunter, and Adriana Oliver’s works compliment one another in color, form, and in their parallel explorations of linear gesture. Merging form and content, their linear constructions exemplify the expressive potential of line. Matt Devine’s sculptures explore lines as a pliable medium and point of departure. Emphasizing the use of line as multidimensional, Devine takes dissected pieces of sheet metal and transforms the industrial materials into organic patterns and shapes. As Devine works with aluminum, steel, and paint, he saves leftover pieces from earlier sculptures to generate the next step in his process, recycling and seamlessly transitioning to the next piece. His minimalist aesthetic and color palette serve to reinforce the strength of the forms, highlighting the inner balance and order within the works. Focusing on line to guide the compositions, Devine investigates the tensions of visual and psychological boundaries, as well the continuation of line through his fluid process. Anthony Hunter’s direct and physical engagement with his materials allows line and color to stand-alone and to function independently of form. Replete with lively and flickering lines, blobs, drips, and drizzles, Hunter creates a defined sense of movement and action. Infusing velocity and improvisation into the artistic process, the resulting linear marks tease the viewers’ eyes with their abrupt punctuations. Creating focal points, the line stylization reflects a tight rein, as he manages the flow with a practiced hand in his chosen, glossy oil-based medium. The contours of these areas, vividly contrasted against his other bold colors, look as much drawn as do the narrow, cursively shaped lines of paint. The resulting abstractions not only generate visual complexity, but the lilt of Hunter’s color and thrust of his line achieve pure graphic energy. With a sharp eye for shape and form, Adriana Oliver transforms familiar shapes into neutral forms open to interpretation. Challenging a traditional flat and rectangular format, Oliver blurs the lines between sculpture and painting. Pushing lines into a new, spatial realm, the cut-out shapes of her panels promote dimensionality while showcasing her beguiling use of color relationships. Working in a reductive palette, as well as simplified line-work, her imagery stands out with her minimalist approach to figuration. In her use of line, hue, intensity and value, the works attain depth and resonance, striking a perfect balance between message and form. These artists will inspire, provoke, engage and mesmerize. With visual perceptions always changing, peek behind the stories told and you're sure to find the right artistic expression.