❮ New York
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Michael Rosenfeld Gallery
100 Eleventh Ave New York
+1 212 247 0082
Tuesday-Saturday: 10AM-6PM, Summer Hours (July–August): Monday–Friday: 10AM-6PM
Hannelore Baron
Jan 27 - Mar 23 2024 - 21 days left
Michael Rosenfeld Gallery is pleased to present Hannelore Baron, a solo exhibition of collages, box assemblages, and monoprints dating from 1970 to 1986. Focusing on the artist’s singular visual language of signs, symbols, and ciphers, Hannelore Baron will provide an in-depth look at her personal iconography and material sensibility. A dedicated display featuring a selection of the unique cutouts the artist used to make the monoprints integral to her compositional approach will provide a special insight into her technical processes. Presenting thirty-eight collages, fifteen box assemblages, and three monoprints, Hannelore Baron will be accompanied by a fully illustrated exhibition catalogue publishing new scholarship by art historian, professor, and curator Anne Koval. Evocative of the textual remnants of an ancient, lost language, urban graffiti, or children’s drawings, Baron’s poetic vocabulary of formal motifs and inscriptions imbue her collages and assemblages with a sense of enigma. As Ingrid Schaffner, curator of Baron’s 2002 retrospective organized by the Smithsonian Institution Traveling Exhibition Service (SITES), observed, “Each of her intimately scaled works appears vast, filled with the quiet energy and visionary power of medieval manuscript illuminations. Indeed, Baron’s art might be considered a form of illumination for modern times, aptly rendered in the language of abstraction.”1 Many of Baron’s repeated symbols—such as stars, flowers, birds, windows, and bound figures—resemble a form of pictographic writing, a quality that is complicated by her frequent application of linework that possesses the qualities of script but denies any attempt to decipher it. This ambiguity, she explained, was intentional: “The writing that covers much of the surface is deliberately illegible because it represents all the words that have been written to tell the unimaginable and explain the unexplainable.”2 1 Ingrid Schaffner, Hannelore Baron: Works from 1969 to 1987, exh. cat. (Washington, DC: Smithsonian Institution Travelling Exhibition Service, 2001) p. 1. 2 Hannelore Baron, undated Artist’s Statement, Gallery Schlesinger.
The Art of Assemblage
Jan 27 - Mar 23 2024 - 21 days left
“The assembler is especially akin to the modern poet…in using elements which (unlike ‘pure’ colors, lines, planes, or musical tones) retain marks of their previous form and history. Like words, they are associationally alive.” —William C. Seitz 1 Michael Rosenfeld Gallery is pleased to announce The Art of Assemblage, a group exhibition organized in homage to The Museum of Modern Art’s groundbreaking 1961 exhibition of the same name curated by William C. Seitz. Presenting a selection of works that mirror and expound upon Seitz’s medium-defining exhibition, the gallery’s iteration of The Art of Assemblage demonstrates the incisiveness and prescience of his thesis. Featured artists include Mary Bauermeister, Lee Bontecou, Bruce Conner, Joseph Cornell, Arthur Dove, Melvin Edwards, Claire Falkenstein, Ilse Getz, Nancy Grossman, Edward Kienholz, Yayoi Kusama, Conrad Marca-Relli, Louise Nevelson, Alfonso Ossorio, Betye Saar, Lucas Samaras, Richard Stankiewicz, Lenore Tawney, Laurence Vail, and Vaclav Vytlacil. The Art of Assemblage is on view concurrently with the solo exhibition Hannelore Baron. 1 William C. Seitz, The Art of Assemblage, exh. cat. (New York: The Museum of Modern Art, 1961) p.17