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Davidson Gallery
521 W 26th St New York
+1 212 759 7555
Tuesday - Saturday: 11 am - 5:30 pm
Pedro S. de Movellán
May 05 - Jun 11 2022 - 21 days left
Davidson Gallery presents 'Parallax', a solo exhibition of new kinetic sculpture by artist Pedro S. DeMovellan. The main body of work in Parallax is seven outdoor sculptures ranging in height from seven feet to over eleven feet. It is the first time in his career that De Movellán has dedicated so much of his practice to so many large-scale works. All seven outdoor pieces, as well as several smaller indoor sculptures and working maquettes, are featured on Davidson Gallery's two outdoor sculpture terraces and light-filled top floor gallery. Like nearly all of De Movellán's work, the sculptures in Parallax rely on wind to drive their carefully calibrated, meticulously balanced elements. Whether a few inches tall, or several feet, De Movellán's ability to define motion and air currents is singular. This exhibition, Parallax, draws its title from a visual phenomenon where the same object seen from two different viewpoints appears to be moving differently or have an altered position. The term is frequently used in astronomy to account for the change in apparent position of celestial bodies depending on the viewers' standpoints. In this case, De Movellán has co-opted the term to address the mutability and flux that exists in all his work. Though each piece is unique and a standalone sculpture, the movement inherent in each means that they are virtually never the same work depending on where and when they are viewed. The works' constant changing state - and the viewer's own relative position to them - introduce a variability not seen in static works of art. In Parallax, as in all of De Movellán's practice, the work is always new.
Marcus Vinícius De Paula
May 05 - Jun 11 2022 - 21 days left
Davidson Gallery is pleased to present SUPERLUMINAL, the debut solo exhibition from Marcus Vinícius De Paula. The exhibition features sculptures made over the last two years and is an apex for the multidisciplinary artist with a career surrounding light. The works draw inspiration from his father, a Brazil-born NASA engineer, and examine relative notions of time across our lives, source materials, and the cosmos. Naming his pieces after the moons of Saturn, De Paula explores an alternate reality in which the works are the only remnants of a lost world. The forms are at once alien yet familiar, intimating known objects but wholly unique unto themselves; their titles approximate places of origin as much as aspirational destinations. De Paula uses this narrative to engender a discussion of humanity’s fragility and legacy. The COVID-19 pandemic is an inescapable context for the creation of these works - some pieces were created while the artist and his wife lived nomadically over the last year in remote locations across the United States. The use of volcanic rock, granite, and alabaster, some as old as one billion years, also forces an acknowledgment of the age and longevity of these materials in perspective with humans' time on earth. The seemingly interminable length of the recent past is given context in how De Paula combines the ancient and the timeless; the technologically advanced LED lights and hand-blown neon gas tubes meld seamlessly with stone as though they were formed simultaneously and not manipulated by the artist’s hand and mind. Within these materials, Marcus embeds lines of light throughout to cast an ethereal otherworldliness. As with the stone, he handcrafts these elements himself from neon glass and resin, which illuminate the minerality within the stones as swirls of interstellar matter. By contrasting classical stones with charged noble gasses and brutalist cyberpunk aesthetic, the monumental works begin to transcend terrestrial notions of time. De Paula considers his works maquettes unlimited in their potential scale, informed by the soaring Brutalist and Modernist structures of his parents’ native Brazil. As a teen visiting his grandparents, Marcus would ride the bus for hours around Rio De Janeiro to absorb the city’s visual culture, supplementing his parents’ shared memories with sensory immersion. By incorporating those experiences into his practice, De Paula navigates his evolving relationship with that heritage. Marcus Vinícius De Paula is a Brazilian-American multidisciplinary artist born in 1986 in California. He has designed with light for over 15 years across theater, film, and live performance. He has led creative direction and design for interactive installations at South by Southwest, on tour with indie-rock band Ra Ra Riot, and for multiple productions at the Edinburgh International Fringe Festival. De Paula’s sculptures have most recently been exhibited in Radiator Show (2020), Day Marks (2020), and Current (2021). This is his first solo exhibition in New York. De Paula lives and works in Brooklyn.